more thoughts about the Annunciation
I’ve just completed writing the second orchestral piece of my Annunciation Triptych called ‘Mary/ Transcendence after Trauma’ for which I recently posted some sketches. I wrote about the ...
The Spinning World
2016 Tree of Codes How Forests Think An ocean beyond earth the turning dance of the bee ~ Ronda – The Spinning World ~ ** ** **** just finished: the last piece for the year, Ronda – The Spinning World, premieres on 25 February 2017 in Frankfurt, performed by Ensemble Modern with a big trumpet part ...
My exhale is your inhale
It’s been a lovely harvest September with two premieres of my music. What a privilege to hear and see Séverine Ballon weave her magic in An ocean beyond earth and to work with the equally magical Wu Wei and ELISION on How Forests think. I’m hearing a music which I think has a different approach to form than in ...
Travels in hyper-reality
I have criss-crossed multiple time zones in the last 6 weeks: Melbourne-Shanghai-Melbourne-Beijing-Melbourne-Salvador da Bahia-Melbourne – the constant bead in this roaming necklace is home in Australia, with each contrasting pendant ever more distant, strange and colourful. It’s a privilege to be invited to travel for one’s work and if there’s one thing I’ve learnt as ...
Tree of Codes trailer, images, press
[photos (c) Paul Leclaire] Also see previous post for detailed information about the opera, libretto etc. * Articles Corinna da Fonseca-Wollheim, Vanishing Languages, Reincarnated as Music The New York Times, March 30, 2016. [+ related teaching & learning resource + radio broadcast] Raoul Mörchen, Wie bleibt von der Strasse der Krokodile, Kölnischer Rundschau, 6.04.16 [pdf scan] Programme book_Tree-of-Codes_2016 ...
Tree of Codes, ‘cut-outs in time’ an opera
Tree of Codes (2013-15), ‘cut-outs in time’, an opera Premiere season: 9, 12, 14, 18, 20 April, 2016, Staatenhaus, Cologne Opera Liza Lim – Tree of Codes information and libretto (read-only downloadable doc) new info: Tree of Codes – programme notes Field recordings as ‘cut-outs of the real’ in Tree of Codes Text about the opera: Michael ...
