Category: ecological time
more than human songs
[Image credit: Riot Ensemble, ‘the arrival of the plastic’, Kings Place London, 14 Feb 2020] I’m very privileged to have several ‘in the flesh’ performances of my music coming up. My large 40-minute work Extinction Events and Dawn Chorus (2018) will be performed by the group that premiered and recorded it, Ensemble Klangforum Wien, with ...
Current projects – Sappho & Squid
Excerpt from Sappho #94 from Anne Carson’s ‘If Not, Winter. Fragments of Sappho’, New York, Vintage Books, 2002. I’m currently working on several projects that celebrate ideas of spirituality bound together with feminine energy and erotics. There’s a 3-part work for orchestra called Annunciation Triptych and the somewhat provocatively titled Sex Magic, a big work for Claire Chase ...
The deep time of language
Back in 2005, I wrote a work called ‘Mother Tongue’ for soprano Piia Komsi & ensemble commissioned by the Festival d’Automne à Paris, Ensemble Intercontemporain and ELISION. The work sets poems by Patricia Sykes about the ecology of languages and knowledge, and the fragility of particular knowings in the face of language loss. There is ...
Extinction Events & Dawn Chorus
[sketches fr. Extinction Events & Dawn Chorus] Liza Lim: Extinction Events and Dawn Chorus (2017/18) Work commissioned for Klangforum Wien by Wittenertage für Neue Kammermusik & with the support of the APRA AMCOS Art Music Fund (Australia).Premiere: 29 April 2018, Witten & 7 May 2018, Vienna for flute/piccolo, oboe, clarinet/bass clarinet, bassoon/contrabassoon, trumpet, horn, tenor-bass trombone, piano, ...
Miscellany: recent music & talks
I gave a keynote talk for a conference at Sydney Conservatorium of Music in September called ‘How to make a woodblock sing (using composition to experiment with thought)’. Eugene Ughetti performed the said woodblock piece, a 15 minute solo called ‘An Elemental Thing’ (2017) and the video is set to start at that point in ...
Liza Lim 