Category: programme note

World as Lover, World as Self

I’m very excited to post that I’ve just finished composing a work: World as Lover, World as Self, for solo piano and orchestra, commissioned by the Donaueschinger Musiktage for a premiere at the 100th Anniversary (!) edition of the festival on 16th October this year. The work is written for the fabulous pianist Tamara Stefanovich with ...

on ‘Sex Magic’ (2020) for contrabass flute, electronics & kinetic percussion

[image of pre-Columbian Nariño ocarina, Met Museum New York, public domain] Sex Magic is a 45-minute piece for contrabass flute (with alto ocarina, Aztec ‘death whistle’, bell, pedal bass drum), live electronics and installation of kinetic percussion written for & dedicated to Claire Chase. The work was commissioned by Claire Chase to be Part Vii ...

more thoughts about the Annunciation

I’ve just completed writing the second orchestral piece of my Annunciation Triptych called ‘Mary/ Transcendence after Trauma’ for which I recently posted some sketches. I wrote about the first part, Sappho/ Bioluminescence earlier this year and now there’s one remaining part to compose, ‘Fatimah/ Flowers of Jubilation’. This trilogy celebrates three key icons of women’s spirituality & explores themes ...

Current projects – Sappho & Squid

Excerpt from Sappho #94 from Anne Carson’s ‘If Not, Winter. Fragments of Sappho’, New York, Vintage Books, 2002. I’m currently working on several projects that celebrate ideas of spirituality bound together with  feminine energy and erotics. There’s a 3-part work for orchestra called Annunciation Triptych and the somewhat provocatively titled Sex Magic, a big work for Claire Chase ...

The deep time of language

Back in 2005, I wrote a work called ‘Mother Tongue’ for soprano Piia Komsi & ensemble commissioned by the Festival d’Automne à Paris, Ensemble Intercontemporain and ELISION. The work sets poems by Patricia Sykes about the ecology of languages and knowledge, and the fragility of particular knowings in the face of language loss. There is ...

Extinction Events & Dawn Chorus

[sketches fr. Extinction Events & Dawn Chorus] Liza Lim: Extinction Events and Dawn Chorus (2017) Work commissioned for Klangforum Wien by Wittenertage für Neue Kammermusik & with the support of the APRA AMCOS Art Music Fund (Australia). Premiere: 29 April 2018, Witten & 7 May 2018, Vienna for flute/piccolo, oboe, clarinet/bass clarinet, bassoon/contrabassoon, trumpet, horn, tenor-bass trombone, ...