2023, misc.
Extinction Events and Dawn Chorus Who would have thunk it? My work Extinction Events and Dawn Chorus (2018) has been taken up by new music ensembles and orchestras all over the place, with 9 performances last year from Aldeburgh to Berlin to New York. Ensemble Cepromusic in Mexico played it 3 times including it in ...
Memorabilia
Composing the last part of Machine for Contacting the dead for the Ensemble Intercontemporain. Apartment in Rue du Temple in the Marais, Paris 1999. (photo: Daryl Buckley) Here are some rambling thoughts which I’ll keep trying to develop on this blog…this is not always articulate and for sure, not comprehensive, and I’d be interested to ...
A Wiko Year in Berlin
(long newsletter post…) My year as composer-in-residence at the Wissenschaftskolleg zu Berlin (Institute of Advanced Studies) or ‘Wiko’, has recently come to a close (1 Sept 2021-30 June 2022). This is a residency like no other in which the ‘obligations’ comprise attending 4 lunches and a dinner during the week and giving a talk to ...
Annunciation Triptych (2019-2022)
Three scores sit on my desk in Berlin. They make up my large orchestral cycle, Annunciation Triptych (2019-2022) comprising: I. Sappho/ Bioluminescence (2019-2020)II. Mary/ Transcendence after Trauma (2020-21)III. Fatimah/ Flowers of Jubilation (2021-22) The various parts of this 50-minute cycle were commissioned by the BBC Scottish Symphony Orchestra, the WestDeutscherRundfunk Sinfonie-Orchester, and the Symphonieorchester des ...
World as Lover, World as Self
I’m very excited to post that I’ve just finished composing a work: World as Lover, World as Self, for solo piano and orchestra, commissioned by the Donaueschinger Musiktage for a premiere at the 100th Anniversary (!) edition of the festival on 15th October this year. The work is written for the fabulous pianist Tamara Stefanovich with ...
News: Happy New Ears Prize
I’m incredibly honoured and touched to have been awarded the 2021 Happy New Ears prize from the Hans and Gertrud Zender Foundation. The composer Hans Zender (1936-2019) with his wife Gertrud Zender set up the prize referring to John Cage’s invitation to “listen without prejudice”. Awarded since 2011 in close collaboration with the Bavarian Academy ...
Liza Lim 