All posts by Liza Lim

composer

Videos in pandemic-times

One emergent positive amongst the many negative impacts on the arts in these pandemic times has been the opening up of access to concerts and festival events from all over the world (as long as one has a good internet connection). In the past weeks, I’ve been able to catch fresh premieres from the 2021 ...

more than human songs

[Image credit: Riot Ensemble, ‘the arrival of the plastic’, Kings Place London, 14 Feb 2020] I’m very privileged to have several ‘in the flesh’ performances of my music coming up. My large 40-minute work Extinction Events and Dawn Chorus (2018) will be performed by the group that premiered and recorded it, Ensemble Klangforum Wien, with ...

on ‘Sex Magic’ (2020) for contrabass flute, electronics & kinetic percussion

[image of pre-Columbian Nariño ocarina, Met Museum New York, public domain] Sex Magic is a 45-minute piece for contrabass flute (with alto ocarina, Aztec ‘death whistle’, bell, pedal bass drum), live electronics and installation of kinetic percussion written for & dedicated to Claire Chase. The work was commissioned by Claire Chase to be Part Vii ...

more thoughts about the Annunciation

I’ve just completed writing the second orchestral piece of my Annunciation Triptych called ‘Mary/ Transcendence after Trauma’ for which I recently posted some sketches. I wrote about the first part, Sappho/ Bioluminescence earlier this year and now there’s one remaining part to compose, ‘Fatimah/ Flowers of Jubilation’. This trilogy celebrates three key icons of women’s spirituality & explores themes ...

Ricordi newsletter

Ricordi newsletter: Spring Highlights: what’s new with Liza Lim   Also: Interview with Lorelei Dowling about music & ecology for IDAGIO Live