Writings about/by Lim
Appleby, R. (2012) Women of Note. Perth, Freemantle Press.
Burnard, P. (2012) Musical Creativities in Practice. Oxford, OUP.
Clarke, E., Doffman, M. and Lim, L. (2013) Distributed Creativity and Ecological Dynamics in Liza Lim’s Tongue of the Invisible. Music and Letters 94 (4) 628-663.
Feneyrou, L. (2015) Liza Lim. IRCAM resources (online). in French
Ford, A. (1993) Composer to Composer. Sydney, Allen & Unwin.
Ford, A. (1997). Illegal Harmonies: Music in the 20th Century. Sydney, Hale & Iremonger. Republished, 3rd ed. (2011) Illegal Harmonies: Music in the Modern Age.
Sydney, Black Inc.
Jenkins, J. & Linz, R. (1997) Arias: Recent Australian Music Theatre. Melbourne, Red House Editions.
Kerry, G. (2009) New Classical Music: Composing Australia. Sydney, UNSW Press.
Lim, L. (2006). ‘Crossing cultural boundaries and ecstatic transformation’ in Sounds Australian, No. 67, 10-17.
Lim, L. (2009). Staging an Aesthetics of Presence in SEARCH Journal for New Music and Culture, Issue 6.
Lim, L. (2012) Patterns of Ecstasy. Darmstädter Beiträge zur neuen Musik (21) 27-43.
Lim, L. (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. online Proceedings of CMPCP Performance Studies Network Conference, 4th-7th April 2013, Cambridge, UK.
Lim, L. (2017). ‘Knots and other forms of entanglement’. In Clarke, E. & Doffman, M. Creativity, Improvisation and Collaboration: Perspectives on the Performance of Contemporary Music. New York. 207-213.
Lim, L. (2017) The Future-present-past voice: possession and ventriloquism in my operatic works, text from ‘Sound and Story’ Conference, Wissenschaftskolleg zu Berlin, 28 June 2017.
Ross, A. (2014) Singing in Tongues, The New Yorker, 21 April 2014.
Rutherford-Johnson, T. (2017) Music After the Fall. Oakland, University of California Press.
Rutherford-Johnson, T. (2011) Patterns of Shimmer. Tempo 65 (259) 2-9.
Rutherford-Johnson, T. (2010) Processes of Revelation. INTO, Journal of Sound & Music, October. 26-31.
Waldock, K. (2012) The Music of Liza Lim Education Resource kit for secondary/tertiary students comprising Teacher’s manual, 4 scores and CD. Sydney, Australian Music Centre.
LIM_Australia Council 2018 Don Banks Award acceptance speech, 06.03.2018
Lim, L. (2017) How to make a woodblock sing – using composition to experiment with thought Keynote lecture, Best Practice in Artistic Research Conference, Sydney Conservatorium of Music, 28 September 2017. (video)
Lim, L, (2017) Luck, Grief, Hospitality – re-routing power relationships in music
Keynote lecture, Women in the Creative Arts Conference, ANU, 11 August 2017.
& associated powerpoint slides: ANU keynote powerpoint slides (images)
A selection of radio interviews and excerpts of compositions are at: BBC3 website.
Asenjo, M.A. & Lim, L. (2015) Entrevista a Liza Lim. Espacio Sonoro. (In Spanish & English)
Ford, A. & Lim, L. (2015) ‘Spiritual Ecstasy and Earthly Desire’, Interview with Liza Lim. In Earth Dances. Melbourne, Black Inc.
Gottschalk, J. & Lim, L. (2011) ELISION: transference (2) – Liza Lim. soundexpanse.
Lim, L. interview (2009) Papier à Musique, Directed by Yan Poefrock, Co-production Festival d’Automne à Paris & Pandore tv. (video)
Lim, L. interview (2010) Music Viva, Forum der Gegenwartsmusik: Pearl, Ochre, Hair String, Directed by Peider A. deFilla for BR-Alpha. (video)
Sdraulig, C. & Lim, L, (2015) Liza Lim interviewed by Charlie Sdraulig. (video)
produced as part of ‘Re-imagining Opera’, Stanford/UCSD Graduate Seminar, Fall 2015.
Szpirglas, J. & Lim, L. (2009) Interview with Liza Lim (about The Navigator). Festival d’Automne Paris Catalogue.
Rafael-José Díaz (2011) Para Liza Lim, TRAVESÍAS, Cuaderno de apuntes de Rafael-José Díaz.