Annunciation Triptych (2019-2022)

Three scores sit on my desk in Berlin. They make up my large orchestral cycle, Annunciation Triptych (2019-2022) comprising: I. Sappho/ Bioluminescence (2019-2020)II. Mary/ Transcendence after Trauma (2020-21)III. Fatimah/ Flowers of Jubilation (2021-22) The various parts of this 50-minute cycle were commissioned by the BBC Scottish Symphony Orchestra, the WestDeutscherRundfunk Sinfonie-Orchester, and the Symphonieorchester des ...

World as Lover, World as Self

I’m very excited to post that I’ve just finished composing a work: World as Lover, World as Self, for solo piano and orchestra, commissioned by the Donaueschinger Musiktage for a premiere at the 100th Anniversary (!) edition of the festival on 15th October this year. The work is written for the fabulous pianist Tamara Stefanovich with ...

News: Happy New Ears Prize

I’m incredibly honoured and touched to have been awarded the 2021 Happy New Ears prize from the Hans and Gertrud Zender Foundation. The composer Hans Zender (1936-2019) with his wife Gertrud Zender set up the prize referring to John Cage’s invitation to “listen without prejudice”. Awarded since 2011 in close collaboration with the Bavarian Academy ...

Videos in pandemic-times

One emergent positive amongst the many negative impacts on the arts in these pandemic times has been the opening up of access to concerts and festival events from all over the world (as long as one has a good internet connection). In the past weeks, I’ve been able to catch fresh premieres from the 2021 ...

more than human songs

[Image credit: Riot Ensemble, ‘the arrival of the plastic’, Kings Place London, 14 Feb 2020] I’m very privileged to have several ‘in the flesh’ performances of my music coming up. My large 40-minute work Extinction Events and Dawn Chorus (2018) will be performed by the group that premiered and recorded it, Ensemble Klangforum Wien, with ...

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